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When CSU Agent Daniel Ruiz is killed during what appears to be a fentanyl deal gone wrong, Stewart sees what everyone else misses. The positioning is too precise. The timing is too perfect. The killers didn’t panic, improvise, or leave anything to chance.

They were waiting for him.

The investigation leads CSU into the darkest corners of Cradle Rock, where addiction floods the streets, bikers control territory from behind the doors of The Velvet Rail, and the people responsible know exactly how to disappear inside the city’s normal rhythm.

But the deeper Stewart, Misty, Steve, and the CSU team dig, the clearer one terrifying fact becomes:

Ruiz was not an isolated target.

His murder was part of something bigger.

Something practiced.

Something already in motion.

And by the time CSU realizes what they’ve walked into, the case is no longer about solving one murder.

Behind the Creativity

“Music has always been where I put the things I can’t explain any other way. Sometimes it starts with a guitar riff, sometimes a drumbeat, sometimes just a line in my head—but if it makes me feel something, I follow it.”

— Rob LeBlanc

“Books and music have always been two sides of the same creative life for me. A book lets me build a world, live inside the characters, and tell a story one page at a time. Music takes that same emotion and gives it a pulse, a rhythm, and a voice you can actually feel. Sometimes the song comes first and inspires the story, and sometimes the story leaves behind something that needs to become a song. Either way, they come from the same place.”

— Rob LeBlanc

“I’ve watched the tools of music change completely, but the creative part hasn’t changed at all. I still bring the idea, the lyrics, the mood and the direction. Technology just gives me more ways to take what I hear in my head and finally let other people hear it too.”

— Rob LeBlanc